Can The Final Of Us Season 3 Keep away from The Pitfalls Of Season 2?

Warning! This text incorporates spoilers for The Final of Us Half II.

The Final of Us season 2 was well-received as a season of tv, nevertheless it was disappointing as an adaptation of the online game. With The Final of Us season 3 on the way in which to adapt the opposite half of the sport, following the identical three days in Seattle from Abby’s perspective, there are a couple of errors it must keep away from repeating.

One way or the other, The Final of Us managed to drag a Recreation of Thrones in simply its second season. Critics and show-only viewers appear to nonetheless be having fun with it, however as a fan of the supply materials who’s used to a a lot better model of the story, I used to be very underwhelmed.

Neil Druckmann and Halley Gross, the unique writers of the sport, conspicuously left the writing employees of the TV collection quickly after the fan backlash to season 2. They each made diplomatic public statements about leaving the present to offer extra time and a focus to different tasks, however Druckmann particularly threw shade at season 2 in a latest interview.

Druckmann mentioned, “My hope for season 3… is to verify it’s as deeply trustworthy as season 1 was, as a result of I really feel like that’s the gold commonplace for this type of adaptation.” He’s acknowledging that season 1 nailed it, which it did, however season 2 was a step down, which it was. However how can season 3 keep away from season 2’s errors and recapture season 1’s greatness?

The Final Of Us Season 3 Wants To Be Extra Devoted To The Recreation

Abby looking at Soundview Stadium, the WLF’s base in The Last of Us Season 2 Ep 7
Abby taking a look at Soundview Stadium, the WLF’s base in The Final of Us Season 2 Ep 7

Making The Final of Us season 3 higher than season 2 is rather a lot simpler mentioned than achieved. Craig Mazin has to truly determine a technique to flip this loopy, bold, groundbreaking online game right into a TV present — and now, he has to do it alone.

For starters, I believe he ought to comply with Druckmann’s recommendation: keep trustworthy to the supply materials. Since he not has Druckmann or Gross there protecting him in examine, Mazin must do not forget that this isn’t actually his story; he’s retelling another person’s story, and he wants to remain true to that.

He could make the TV present his personal, after all, nevertheless it’s an adaptation above all. He can deviate from the supply materials like season 1 did, however he shouldn’t actively betray its themes and intentions like season 2 did.

Mazin can develop on fascinating ideas that the sport didn’t have time to discover, like Isaac’s mentorship of Abby and the rift in Owen and Mel’s relationship, however he shouldn’t go in opposition to what makes these dynamics compelling. Ellie being enthusiastic about turning into a dad utterly deflates the stress; if she’s not apprehensive in regards to the child or indignant in regards to the secret, then it flattens one of many recreation’s finest twists.

The identical factor will occur in season 3 if Owen is worked up about elevating a child with Mel, and he’s not always taking off-site assignments to get away from her. Season 1’s Invoice and Frank episode is likely one of the finest episodes of tv I’ve ever seen, and an ideal instance of what this present can do this the video games couldn’t.

Mazin can use that freedom to inform the origin story of the Seraphite prophet, or adapt the saga of Boris Legasov, or return and present how Lev and Yara grew to become disillusioned with the forms of the Seraphites and finally determined to run away. However ensure it nonetheless matches with the story you’re telling; don’t put in any expansions that undermine the belongings you’re increasing on.

In idea, the city council assembly the place Jackson’s residents vote on whether or not to ship a revenge celebration after Joel’s killers is a neat concept for a scene to offer us a deeper perception into Jackson’s democratic course of and get a wider vary of views. However in execution, it simply grew to become an excuse for Mazin to vocalize all of the themes of the story earlier than the story even received going.

The Final Of Us Season 3 Cannot Dumb Down Abby’s Character Like Season 2 Did With Ellie

Ellie (Bella Ramsey) with tears in her eyes and her hands up in The Last of Us Season 2 Ep 7
Ellie (Bella Ramsey) with tears in her eyes and her arms up in The Final of Us Season 2 Ep 7

Some of the egregious issues that The Final of Us season 2 did was dumb down Ellie’s character. Within the recreation, she’s blinded by vengeful rage, however she’s nonetheless a tactical genius. Within the TV present, she units off on a cross-country journey with out medical provides, she throws a tantrum when she doesn’t get her method, and she or he survives by sheer luck.

Mazin wrote 19-year-old Ellie to be simply as immature and impulsive as 14-year-old Ellie; he can’t do the identical to Abby. Abby is sensible, resourceful, and has unimaginable braveness underneath fireplace. The Final of Us season 3 must seize that as a substitute of exhibiting Abby to be reckless, dim-witted, and fortunate.

The Final Of Us Season 3 Should not Tone Down The Brutality Of The Recreation

Abby covered in blood in The Last of Us Part II
Abby coated in blood in The Final of Us Half II

In The Final of Us Half II, Ellie and Abby kill dozens of individuals on their respective quests. However in season 2, Ellie solely killed one individual on objective, and made positive to make clear that the others had been accidents. Season 3 shouldn’t tone down the brutality of the sport; it ought to lean into it, as a result of that violence and ethical ambiguity are what make this world so compelling.

The Final Of Us Season 3 Wants Extra Subtext & Subtlety

Abby (Kaitlyn Dever) with a furious look in The Last of Us Season 2 Ep 7
Abby (Kaitlyn Dever) with a livid look in The Final of Us Season 2 Ep 7

From a writing standpoint, The Final of Us season 3 must let subtext be a factor. Don’t simply have each character inform the viewers precisely how they’re feeling at any given second. Belief the viewers to choose up on refined cues within the actors’ physique language or within the disingenuous issues they are saying.

Depart some room for nuance. In season 2, Ellie and Jesse are at all times indignant at one another — it’s not plausible that they’re truly mates; they appear to despise one another. You must enable for a extra well-rounded dynamic.

All through Abby’s part of the sport, Mel is disturbed by Abby’s actions and shortly rising resentful of her closeness with Owen, however that doesn’t imply they’re at one another’s throats in each single scene. There’s nonetheless room for them to joke round with one another and speak in confidence to one another, regardless of this undercurrent of rising resentment.

If something, that resentment shines by way of extra after they’re making an attempt to behave like every part’s regular between them and so they make awkward small-talk and power laughs at one another’s jokes. Mazin tends to put out all these items in dialogue, however The Final of Us season 3 wants to simply sit back and go away a few of that stuff to the actors’ faces.

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