The OA isn’t the sort of fantasy present you’ll be able to placed on within the background. From the second Prairie Johnson reappears after seven years together with her sight restored, it calls for your consideration. The sequence debuted in 2016 and landed at 84% on Rotten Tomatoes, a quantity that indicators each high quality and the sort of experiment that hardly ever will get this a lot essential respect.
Created by Brit Marling and Zal Batmanglij, the present unfolded like a religious odyssey. It combined near-death visions, inter-dimensional journey, and uncooked private drama into one thing that didn’t look or really feel like anything on TV. Throughout two seasons and 16 episodes, it swung for the fences each time.
When Netflix cancelled The OA in 2019 as a consequence of excessive prices and low viewership, the response was fast. Followers staged “actions” in public areas, funded a billboard in Instances Sq., and even organized starvation strikes. For its group, The OA was a narrative value combating for, and even Marling responded with gratitude to The OA fan campaigns.
The OA Is A Fantasy Present That Constructed A Devoted Following
What made The OA unforgettable was its complete dedication to strangeness. The present handled its most out-there concepts, like interpretive dances used to cross dimensions, with straight-faced sincerity. That sort of selection may be polarizing, however for the individuals who related with it, it expanded what fantasy tv could possibly be.
The viewers grew slowly however fiercely. Phrase of mouth carried it, as followers shared theories, dissected symbols, and wrestled with The OA‘s unanswered questions about religion, trauma, and the potential for unseen worlds. It grew to become the sequence individuals pressed on pals with a warning: keep it up, it’ll change you.
Netflix’s choice to finish it didn’t quiet the keenness. Greater than 100,000 individuals signed a petition to put it aside. Flash mobs carried out the actions in main cities, and followers even demonstrated a hunger strike outside of Netflix headquarters. That sort of response comes solely when a present hits one thing deeply private.
Why The OA’s 84% RT Rating Nonetheless Issues Years Later
On paper, an 84% Rotten Tomatoes rating would possibly appear like simply one other stable essential score. However for The OA, it means extra. Season 1 drew 76%, whereas Season 2 jumped to 92%, a transparent signal the sequence was solely getting stronger. It was a present doubling down on its ambition and sharpening its storytelling because it went.
Critics praised its boldness, and shops like Empire ranked The OA in ninth place on their checklist of one of the best TV exhibits of all time. That recognition helped shift it from cult oddity to landmark experiment, the sort of mission different creators level to when arguing audiences can deal with stranger, riskier tales.
Right now, that rating nonetheless serves as a reminder. In Netflix’s list of original shows that didn’t deserve to be cancelled, it marks The OA as a critically revered work that continues to reward discovery.
Followers Nonetheless Can’t Let Go Of The OA’s Unanswered Thriller
Season 2 ended on a cliffhanger that broke the body solely. Prairie wakes in a dimension extra meta than She-Hulk‘s ending, collapsing the space between fiction and actuality. It was a promise of an excellent stranger street forward that we by no means received closure to.
That unfinished flip is a part of why the present hasn’t light. Followers nonetheless commerce theories on-line, digging into codes, hidden references, and the likelihood that even the cancellation itself was woven into the story. In contrast to many frustrating TV show cliffhangers, the shortage of decision really stored it alive.
Most exhibits vanish after cancellation, however The OA endures. Its unresolved ending grew to become gas, guaranteeing it continues to stay in fan conversations, essential essays, and the imaginations of everybody prepared to step inside its unusual, lovely universe.

The OA
- Launch Date
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2016 – 2019-00-00
- Community
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Netflix
- Administrators
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Andrew Haigh
- Writers
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Dominic Orlando, Henry Bean, Damien Ober, Ruby Rae Spiegel
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Brit Marling
OA / Nina Azarova
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